I am an artist and literature lover, interested in new kinds of visual culture. My recent works involve the juxtaposition of words and images. I am fascinated with the potentiality of combining writing and image making. My works aim at exploring the visuality of texts in a wider space. I am also concerned with the spiritual realm, with questioning and rethinking the existence of things/routines and finding the logic behind invisible daily details.
My reading encompasses sociology, psychology, philosophy, literature, linguistics, communication theory, and visual culture, which has greatly influenced my work. I give references to these texts in my work, and use them to discuss cultural phenomena in the visual arts from the perspective of related disciplines.
Education
2020 - Present
Loughborough University - PhD in Fine Art
2016 - 2017
University of the Arts London - MA Painting
2013 - 2016
Haibei Normal University - MA Western Painting Creation and Art Theory
Exhibitions
2020
“Culture Studies and Art Exhibition Concerning Dian Lake & Lugu Lake”, SUNAC Contemporary Art Center, Kunming, Yunnan
2019
“Exploring the Original Nature”, Ancient Culture Centre, Lijiang, Yunnan
2019
“Exploring the Original Nature”, Yuanxiaocen Museum, Kunming, Yunnan
2019
“Sharp- Borderless Frame”, Being 3 Gallery, Beingjing
2019
2019
“Backward Reading”, 508 Gallery, London
2018
2017
“Briser Break Down the Borders”, Galeri Joseph, Paris
“Dialoge-London”, The Chinese Embassy in Britain, London
2017
2017
"Pop Art Fair", Sunny Art Centre, London
2017
“Exploring”, Menier gallery, London
2017
“A Sharp Intake of Breath”, Lewisham Art House, London
2017
“Unframed”, Wimbledon College of Art, London
2016
“Pop Up Show”, Wimbledon College of Art, London
Awards
2015
First Prize in 4th Anhui Provincial College Students Art Exhibition, China
2014
Third Prize in 5th Anhui Fine Art Exhibition, China
Publications
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“Pictures in Pictures” An Interpretation of Dutch Interior Painting In the 17th Century, Juamjusi Institute of Education Journal, 2015 (5), Page 268 (http://www.doc88.com/p-2955314175819.html)
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The Social Implications of the Classical Red Images in Mao’s Era, Lanzhou Institute of Technology Journal, 2015 (4), Pages 111-114 (http://d.wanfangdata.com.cn/Periodical/lzgygdzkxx201504026)
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The Connection Between “I”, “Observer” and “Object”- Interpreting The Arnolfini Portrait, SimaoTeachers’ College Journal, 2015 (4), Pages 79-81 ( http://d.wanfangdata.com.cn/Periodical/smsfgdzkxxxb201504021)
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A Comparative Study on the Artistic Styles of Picasso and Salvador Dali, Zhengzhou Institute of Aeronautical Industry Management Journal, 2015 (3), Pages 177-179 (http://mall.cnki.net/magazine/Article/ZZHY201503046.htm)
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The Similarities Between Earl Haug’s Funeral and The Themes of Chinese “T” Shape Silk Painting, Chifeng University Journal, 2015 (2), Pages 191-193 (http://www.doc88.com/p-1292179813799.html)
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The Development of Painting Concepts from Giotto di Bondone to Masaccio, Hubei University of Sci-tech Journal, 2014 (11), Pages 146-147 (http://www.cnki.com.cn/Article/CJFDTotal-XNSZ201411073.htm)
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The Integration of Content and Form - Interpreting Jacques-Louis David’s Art Works, JuamjusiEducation Institute Journal, 2014 (6), Pages 66&68 (http://www.cnki.com.cn/Article/CJFDTotal-JMSJ201406044.htm)
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An Analysis of Western Modernism And Colour In Fauvist Works, Art and Literature for the Masses, 2014 (8), Page 117 (http://www.cnki.com.cn/Article/CJFDTotal-DZLU201408102.htm)